Zarooni’s “The Joker” doesn’t just flirt with duality, it dances with it. This sleek pop-funk gem, recorded between London and Dubai, is a masterclass in emotional camouflage. Beneath its infectious groove lies a quiet ache, a story told through syncopated basslines and retro guitar flicks that shimmer like stage lights on a lonely performer.
From the first beat, the track pulses with charisma. Think Nile Rodgers’ rhythmic swagger meets the glossy confidence of Dua Lipa, all wrapped in a Jamiroquai-inspired funk shell. But Zarooni isn’t here to just entertain, he’s here to reveal. “The Joker” is the anthem of the high-energy friend, the life of the party who’s quietly unraveling behind the scenes. Lyrics like “Lost the words inside of me, is a boy who stares” and “No more tears to cry, so I choose to smile” cut through the glitter, exposing the emotional scaffolding beneath the bravado.
FOLLOW ZAROONI VIA:
Helen Walford’s absence here is notable, this is Zarooni’s solo spotlight, and he owns it. His vocal delivery is theatrical yet grounded, like someone who’s learned to laugh through the pain without losing the melody. The production is crisp, immersive, and cinematic, with each sonic layer adding weight to the narrative.
“The Joker” isn’t just a song, it’s a mirror. It invites listeners to dance, yes, but also to reflect. In a world obsessed with curated joy, Zarooni offers something braver: vulnerability with a beat. And that, in today’s pop landscape, feels like a quiet revolution.
