Ezra Vancil’s “Babylove,” the lead single from his long-gestating double album Morning & Midnight, is a masterclass in emotional excavation. Released October 1st, 2025, the track doesn’t just flirt with vulnerability, it lives there. Recorded in a secluded East Texas cabin, the song carries the scent of pine and the ache of memory, wrapped in…
Released on September 26, 2025, “Get Back My Way” has more to offer than a single, it’s a statement. After a brief detour into real estate, Eddie Cohn re-emerges with a track that feels like a deep breath in a world gasping for stillness. The song’s acoustic backbone, led by Cohn’s own guitar work and…
In “Car Crash,” Love Ghost trades distortion for devastation. Known for their genre-fluid bravado, grunge, punk, metal, and alt-rock, the band takes a sharp emotional detour, delivering a stripped-back piano ballad that feels like a confession whispered through cracked glass. It’s not just a song; it’s a slow-motion wreck rendered in melody. Finnegan Seeker Bell’s…
Zarooni’s “The Joker” doesn’t just flirt with duality, it dances with it. This sleek pop-funk gem, recorded between London and Dubai, is a masterclass in emotional camouflage. Beneath its infectious groove lies a quiet ache, a story told through syncopated basslines and retro guitar flicks that shimmer like stage lights on a lonely performer. From…
Michellar’s “September” is not just a song, it’s a cinematic breath of autumn air, wrapped in amber tones and poetic introspection. Recorded between the coastal calm of San Francisco and the pastoral quiet of Staffordshire, UK, the track reflects a transatlantic soul-searching that’s both intimate and expansive. Producer Tobias Wilson’s subtle touch allows the song’s…
In “Man I Used To Be,” Dax doesn’t just revisit his past, he excavates it. Released on August 1st, 2025, the track is a raw, acoustic-laced confession that trades bravado for vulnerability. It’s not a reinvention; it’s a reckoning. After six months of sobriety, Dax emerges with a voice that’s steadier, clearer, and more intentional….
Kelsie Kimberlin’s “Infinite Possibilities” is more than a song, it’s a rite of passage wrapped in acoustic warmth and lyrical introspection. Departing from her usual sonic palette, Kimberlin picks up her custom LV-10 acoustic guitar and invites listeners into a deeply personal yet universally resonant journey. The track is a celebration of emergence: from the…
In “Aunque sea por una noche,” Michellar doesn’t just sing, she remembers. This Spanish-language debut is a quiet triumph, a love letter to fleeting intimacy and cultural memory. Co-written with Jiji Picazo and produced by Lloyd Miller at Spirit Song Studios, the track unfolds like a whispered confession under moonlight. The lyrics—“Ámame, aunque sea por…
Amy-Lin Slezak’s “Known 3 Yrs, Seen 24 Hrs.” is a charming detour from the emotional firestorms of her earlier releases. Following the defiant “How Dare She” and the introspective “To Grow Old Old,” this track feels like a breath of fresh air—nostalgic, cheeky, and unapologetically personal. With lyrics like “Digging up the past, cleaning the…
Duration: 3:55 | Genre: Rock Pop / Indie (Melodic Pop Rock) Anthony Casuccio’s latest single, “Don’t Say Goodbye,” is a masterclass in emotional clarity wrapped in alt-rock swagger. From the first strum, the track pulses with urgency—anchored by gritty guitar riffs, a driving rhythm section courtesy of Arron Blockmon and Nichole Celeste, and Casuccio’s unmistakable…
