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After making waves with the electronic shimmer of “I Can’t Meet You!” and the earthy calm of “Love Earth”, Michellar takes yet another unexpected turn. This time, “Intersection” finds her swapping synths for strings, diving headfirst into Americana folk — and doing so with stunning ease.
Released on December 1, 2024, and recorded in Staffordshire with producer Tobias Wilson, this track marks a true turning point. From the first strum of acoustic guitar to the flicker of banjo, there’s an immediate warmth. Then come the drums — light, steady, and alive — adding just enough energy to carry the weight of the story without overwhelming it.
The song explores a fleeting but profound moment of love at first sight, but there’s more beneath the surface. Michellar places this spark in the middle of chaos, writing: “That magic expressed and felt in a place where moments of danger can be all present at one time.” The contrast creates tension. It feels like something rare happening in the middle of life’s storm — not despite the storm, but because of it.
Tobias Wilson’s contribution adds depth. His backing vocals create a quiet dialogue with Michellar’s voice, offering support without stealing focus. The banjo, unexpectedly central, doesn’t just pluck a melody — it leads a conversation between rhythm and emotion, swinging from playful to pensive.
The lyrics avoid clichés. Instead of sweeping declarations, Michellar zooms in: a place, a heartbeat, a second of eye contact. It’s cinematic but unforced — like a still from a film that lingers in the mind.
“Intersection” works because it feels real. It doesn’t dress up emotion, it honors it. As a first step into Americana, it succeeds by being honest, stripped-back, and full of purpose. This is Michellar at a creative crossroads — and she’s choosing her own direction. A standout track—and a promising new direction.
