New here is Ryan Sweezey with a full-band flourish on Maybe Magic, a 10-track indie-folk/rock master art that marks his first full album since 2022’s Out Searching. Already a seven-time New England Music Award nominee and a four-time Seven Daysies nominee, Sweezey steps confidently into a new artistic chapter—one enriched with classic singer-songwriter warmth, soft-rock…
Ezra Vancil’s “Babylove,” the lead single from his long-gestating double album Morning & Midnight, is a masterclass in emotional excavation. Released October 1st, 2025, the track doesn’t just flirt with vulnerability, it lives there. Recorded in a secluded East Texas cabin, the song carries the scent of pine and the ache of memory, wrapped in…
Listening to Tom Minor never tires you. His previous single, “Future Is an F Word,” raised the bar with its clever blend of humor, dread, and punchy instrumentation. It captured a generation’s anxiety with jangly riffs and biting lyrics. Now, with “Bring Back the Good Ol’ Boys,” Minor has reached a new peak in his…
Following her genre-defying album Soul Parts, Cassy Judy returns with The Cassy Judy Mixtape, an EP that captures both the grit and the joy of her life. This seven-track EP is a reflection of her journey as a trans woman, her experiences as a criminal lawyer in Broken Hill, and her ability to turn personal…
Michellar is back, and she’s commemorating her one-year anniversary of releasing fully produced music with the deeply personal single, ‘Never Say Sorry,’ released on September 25, 2025. This track is a beautiful fusion of Alt-Country, Country, Singer-Songwriter Band (Soft Band Sound), Soft Rock, Rock Pop, and Female Vocals, all penned and performed by Michellar herself….
The New Citizen Kane has returned with Causing A Commotion, a late-summer EP that feels daring. Known for bending genres into something entirely his own, Kane leans into disco grooves, retro synths, and sleek electronic textures. But it never loses sight of the emotion at the heart of his work. What makes this release stand…
Follow GARROW HILL via: “We Are All But Nothing” by Garrow Hill arrives with perfect timing on Yorkshire Day. The duo—Stew King and PG Branton —have built a reputation for channeling classic heavy influences while pushing their own vision forward. This single reflects that balance: bleak in theme, powerful in execution, and crafted with remarkable…
In “Car Crash,” Love Ghost trades distortion for devastation. Known for their genre-fluid bravado, grunge, punk, metal, and alt-rock, the band takes a sharp emotional detour, delivering a stripped-back piano ballad that feels like a confession whispered through cracked glass. It’s not just a song; it’s a slow-motion wreck rendered in melody. Finnegan Seeker Bell’s…
Zarooni’s “The Joker” doesn’t just flirt with duality, it dances with it. This sleek pop-funk gem, recorded between London and Dubai, is a masterclass in emotional camouflage. Beneath its infectious groove lies a quiet ache, a story told through syncopated basslines and retro guitar flicks that shimmer like stage lights on a lonely performer. From…
Michellar’s “September” is not just a song, it’s a cinematic breath of autumn air, wrapped in amber tones and poetic introspection. Recorded between the coastal calm of San Francisco and the pastoral quiet of Staffordshire, UK, the track reflects a transatlantic soul-searching that’s both intimate and expansive. Producer Tobias Wilson’s subtle touch allows the song’s…
