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PrivacyClub: “Into A Flower” A Dive into Fun Goth

Into a Flower by PrivacyClub cover art

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Into a Flower, Don Riedel as PrivacyClub’s debut single offers a promising first glimpse into the band’s intricate wordplay. Blending influences from emo, goth, and indie rock, singer-songwriter Don Riedel explores emotional vulnerability through infectious melodies and raw vocals.

Recorded at Triangle Wave Studios in Brooklyn, the single immediately draws listeners in. It has catchy post-punk rhythms colliding with indie rock guitar riffs. However, as the song progresses, Riedel’s repetitive vocal lines become hypnotic. His voice contains a hint of timidness, like Kings of Leon’s early work, before unfolding into a more assured chorus. Here, the band locks into a driving groove, with careful attention given to crafting infectious hooks. The bridge features one of the song’s finest moments, as everything drops out except the bassline and Riedell’s voice pleading “Take me back again.”

PrivacyClub as Don Riedel picture

While the Cure’s melancholy moodiness and Idles’ new wave urgency seem like clear reference points, PrivacyClub ultimately develops its distinctive sound. Riedell’s songwriting pulls from his small-town Michigan upbringing and time spent amidst New York City’s vibrant music scene. His lyrics explore masculinity and confidence, delivered with just enough fun and angst.

PrivacyClub as Don Riedel picture
Don Riedel

Supported by seasoned NYC musicians Chris Agar, Collin Dwarzski, and Eric Hoegemeyer, the band has an obvious chemistry. Dwarzski’s production work gives “Into a Flower” its polished yet raw feel, while Agar’s funk-inspired bass and Hoegemeyer’s mix engineering shine through. Together they ably flesh out Riedell’s songs.

Into A Flower by PrivacyClub

For a debut single, “Into a Flower” shows tremendous promise. It immediately grabs the listener’s attention with its danceable rhythms and emotional delivery.

PrivacyClub as Don Riedel picture

As the band continues honing its “fun goth” sound, balancing angst and pleasure, Riedell’s songwriting suggests ample creative ground still left to be explored. With a unique blending of post-punk, indie and emo, PrivacyClub seems poised to blossom. This infectious first taste leaves the listener eagerly anticipating what comes next.

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