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Ninni: ‘White Christmas’ Cover Single and Video

White Christmas by White Christmas cover artwork

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Italian/English songwriter Ninni, formerly part of disco-punk bands, has transitioned to a successful solo career. His international hit, “Just The Touch of My Hands,” was broadcast on over 60 radio stations worldwide. His latest release, “White Christmas,” a nostalgic track spanning 2 minutes and 29 seconds, promises a relaxing, easy-listening experience.

The song reflects the classic Christmas feeling with its sincere lyrics and mesmerizing vocals. Ninni adds his own personality and style while preserving the core of the original melody.

As the composition unfolds, a captivating syncopated drum pattern emerges, reminiscent of bossa nova’s rhythmic elements. The gentle guitar melodies add depth, with layered harmonies and interplay creating a beautiful sonic landscape. Various guitar layers complement each other, exploring different tones and enhancing the song’s subtleties.

A photo Ninni with a guitar
NINNI

An instrumental break within the track introduces a bright, shiny timbre and rhythmic shake, providing a distinct listening experience while harmonizing seamlessly with the song’s overall tapestry. Few opening lines are, “I’m dreaming of a white Christmas, Just like the world’s highest snow, Where the tree talks listen and children listen… May your days be merry and bright…”

“White Christmas” has always been one of my favourite Christmas songs. I’ve decided and tried singing, playing and rearranging it from my musical perspective. Hope you like it!

Ninni’s “White Christmas” showcases his ability to honor a classic tune while infusing it with his musical identity.

The song’s evolution, blending nostalgic elements with contemporary nuances, results in a mesmerizing and harmonious musical journey, offering listeners a refreshing take on a beloved holiday classic.

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One thought on “Ninni: ‘White Christmas’ Cover Single and Video

  1. […] In the creation of “Windigo,” Turtle Island took charge, handling recording and mixing in Adam’s Dragonfly Sun Production studio. The track feels like an eclectic DJ set, seamlessly blending diverse styles and eras. Matt Hunter’s live drumming expertly emulates ’90s rap beats, intertwined with percussion loops reminiscent of early drum machines, all against a backdrop of funky rhythms. Adam and Obie layer guitars, synths, and keyboards, enhanced with vintage echo effects, offering a psychedelic touch that’s more of a subtle enhancement than a mind-bending trip. […]

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